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The Featured Artists Coalition campaigns for the protection of performers' and musicians' rights. We want all artists to have more control of their music and a much fairer share of the profits it generates in the digital age. We speak with one voice to help artists strike a new bargain with record companies, digital distributors and others, and are campaigning for specific changes.
Events
The Air Statement
25th September 2009Last night at a very special meeting took place at Air Studios in London. It was an unprecedented gathering of artists who all met in the spirit of collaboration and with the aim of discussing the very challenging issue of file-sharing and how it affects the lives of so many artists and all the people that support them in creating the music that we all know and love.
The statement below is the result of that meeting.
The Air Statement:
We the undersigned wish to express our support for Lily Allen in her campaign to alert music lovers to the threat that illegal downloading presents to our industry and to condemn the vitriol that has been directed at her in recent days.
Our meeting also voted overwhelmingly to support a three-strike sanction on those who persistently download illegal files, sanctions to consist of a warning letter, a stronger warning letter and a final sanction of the restriction of the infringer’s bandwidth to a level which would render file-sharing of media files impractical while leaving basic email and web access functional.
Signed:
Tim Rice-Oxley (Keane)
Jamie Turner
Adriano Buffone (Raygun)
Allan Bradbury
Helienne Lindvall
Tony Crean
Andrew Laidlaw (Luck Soul)
Isard Haasakker
Tony Morrelli (The Fire Escapes)
Jean-Baptiste Pilon (The Fire Escapes)
Mark Headley (The Fire Escapes)
Hal Ritson (The Young Punx)
Billy Bragg
Ben Ward
Karl Harrison
Howard Jones
Tjinder Singh (Cornershop)
Phil Simpson
Atheen
Steve Jones
John Reynolds
Sandie Shaw (via phone)
David Rowntree (Blur)
Ed O’Brien (Radiohead)
Alan Sharland (The Hoosiers)
Martin Skarendahl (The Hoosiers)
Steven Hogarth (Marillion)
Mark Kelly (Marillion)
Guy Chambers
Patrick Wolf
Sam Duckworth (Get Cape Wear Cape Fly)
Jamie Allen
Toby Sebastian
James Kelly
Beryl Marsden
George Jones
Ross Millard (The Futureheads)
Stax Dempsey
Rona Sentinar
Fran Healy (Travis)
Karl Addy
Nathan Taylor (The Young Punx)
Josh Allegro
Ali Howard (Lucky Soul)
David Arnold
Lucy Pullin (The Fire Escapes)
Annie Lennox (via phone)
Lily Allen (Not a Member of the FAC)
George Michael
Nick Mason (Pink Floyd)
Signed After the meeting;
The Music Producers Guild
John B
Claudia Brucken (Propaganda)
Rick Wilde
Zita McHugh
M B Gordy
Mohammed Yahya
Jon Hopkins
Barry Coffing
Vinny Peculiar
David Ravden
Nik Ledgard (Dry Riser)
Matthew Lintott (Dry Riser)
Pete Bembridge (Dry Riser)
Jack Oram (Dry Riser)
Chad Mcloughlin
Gina Langton
Tony Christie
Sean Fitzgerald
Irving David (DWFM Beckman)
Julianne Reagan (All About Eve)
Stuart Ongley (SGO Publishing)
Judy Dyble
Jonas Kroon
Irwin Sparkes (The Hoosiers)
Robbie Williams
Robert Vale
Jerry Vale
David Cloyd
Rob Boyd (The Hillfields)
Sharon Corr
George Sarah
Bob Hansmann
Rich Wilde
Milinda Allen
Dr Robert (The Blow Monkeys)
Dirk Henry (The Kokoon)
Ben Beer (Sealife)
Chris White (Composer)
Producers Managers Group (PMG)
Marco Pirroni
Brian Campbell (Clinic)
Morty Buffham (Manager of UK Heights)
Andrew Kremer (Composer)
Sharon Dean (Respect Music)
Sarah McQuaid
Gary Clark (Artist, songwriter, producer)|
Marc Marot (Manager)
Keith A. Newstead
Blake Morgan (Engine company Records)
Tom Green ('Another Fine Day')
Neil Preston (MP Records)
John Verity
Bart Schram (Mindgames)
Koen Gisen (An Pierlé & White Velvet)
Darren Hayes (Savage Garden)
Scott Coe (The Haunted Aquarium)
Miranda Dickinson
Noora Noor
Ali Hakimi (Bush Studios)
Colin MacIntyre (Mull Historical Society)
Rik Hudson (Violet Bones)
David Blake (JFXmusic)
Jo Hilditch (Hilda)
Alastair Blackwood (Motion Picture Soundtrack)
Dobs Vye (Public Symphony)
James Blunt
Mark Muggeridge (Journalist and artist manager)
Russell Lewis Warby (William Morris Endeavor Entertainment)
David Gilmour
Jools Holland
Ken Andrew (Middle of the Road)
Joseph Mount (Metronomy)
Luke Soloman (Freaks)
Tom Shore (Britten Sinfonia)
Neil Tennant (Pet Shop Boys)
Chris Lowe (Pet Shop Boys)
Kirsty Hawkshaw
Glenn Tipton (Judas Priest)
Rob Halford (Judas Priest)
Jayne Andrews (manager for Judas Priest)
Gill Vance (singer/songwriter)
Simon Reid & Louise Stanners (Reid & Stanners)
James Carrington
Tim McConway (Booger Red/The Lunar Society)
James Mathe (Monasteryo)John (JJ) Johnson
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Comments
We need a new platform
In the last few days Rap Giants Public Enemy have joined Sellaband.. google it in News .. its everywhere .. See what they have to say about it ..
http://vimeo.com/6776325
Here is their page at sellaband they been their 2 days are are at 10% of their required funding.
http://www.sellaband.com/publicenemy
Sellaband is absolutely awesome, fans enjoy being part of the projects. Fans decide what music they want to hear recorded by becoming believers in the acts they want to hear.
In a time when illegal downloading has ravaged the music industry. Fans having some sense of ownership with the music they love, is a great way forward.
Essentially with fan funding. A band just needs a great promotional team, leading to less need for singular investment by large companies & a more close connection with their music fans.
Sellaband has until now been developing the platform with independendents starting out.
As Public Enemy said on their sellaband blog..
“When the tide rises so do all the ships”
This is the way forward in music.
Aly
www.sellaband.com/alycook
The one thing I have found from reading the comments section so far is that I have more respect for those artists that have cared to get involved in dialogue between the artists and the people posting on this message board, providing they are genuine, e.g. Edwyn Collins' manager and Ulrich Schnauss. Also, like Radiohead, I have purchased work by both artists. I want this dialogue from the artists themselves, not the record companies or representatives because, as has already been stated, the record companies are not to be trusted in the slightest. In terms of music that I have bought online - Radiohead are the only band that spring to mind because they actually meant it, although I am still disappointed by the statement. As mentioned on the NME website today by Ed, I still also love the physical aspect of music too - holding vinyl, looking at the artwork, having a CD. However, I do also like the convenience of mp3 too. I see both sides of the argument to an extent, but the artists side only comes into question when record companies are involved or preposterous statements about technology that they do not understand.
Come on artists, get involved with *your* personal views. This is not Question Time - you do not have to follow the party line. Say what you really think.
For sweetest things turn sourest by their deeds;
Lilies that fester, smell far worse than weeds.
I understand that artists have to make a living. I have discovered many new artists, bought their CDs and attended their concerts because of illegal downloading.
When a friend recommends me a band/artist, I download their "best of" album and listen to it. If I didn't like it, it would go straight in the trash. If I liked it, the next time I went into a record shop, I'd buy the CD then delete the illegal files. Then over the next months, I'd buy more CDs from the same artist. I still find that CDs have a vastly superior sound quality to mp3s and it is my format of choice.
I wish people would stop thinking that every file downloaded is a lost sale. If I couldn't hear the tracks in advance, I'd be buying a lot less.The Daily Mail reports that a study by think-tank Demos shows that illegal downloaders are "music enthusiasts" and spend an average of £33 more on music a year compared to non-downloaders. As such, going after the illegal downloaders may well hinder rather than help the music industry.
For me, one of the worst parts of this proposed legislation is that the financial burden of enforcing this ineffective law will be split between the Internet Service Providers and the music industry 50/50. In other words, all Broadband users, whether they download or not, will have to pay extra just to be put at risk of being falsely accused and disconnected! I just can't see that going down well.
What we really need is a legal "All you can eat" P2P service where fans can download unlimited DRM-free tracks for a monthly fee. I'm convinced that if such a service existed, illegal filesharing would be dramatically reduced.
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i am dissapointed at some of these negative comments slagging established artists
it always appears to be that way from the buying public who again seem to think that it is ok to filr share etc...
lets look at the opposite side...
if some of these negative voices above actually starved there way to sucess in the way one has to to become established and if they had published songs out there being ripped off etc they would be saying different things...
this is only a part of the solution 3 to 5 years ago who the fuck could forsee where all of this would lead? it is way convenient to say after the effect however we need to stop thisand lock thsi down as well as continually find new innovative solutions that keep all parties happy including labels, publishers, artists and fans
so lets cut the bullshit u negative ones help 2 find a positive path rather that critisize established artists who are merely trying to defend their intellectual position of which they are entitled to do so.
music is not free and should be deemed only at the artist/band/label/publishers discretion as a promo tool otherwise there will be no industry in the future... just a mad max cultural highway of yet more fucking confusion.
what the FAC are doing is the start of an answer at an important part of ones career...again these fuckers who dont have careers who are stuck in bedrooms waiting for god or Universal to find u on my space is never gonna happen
keep it real and call a spade a spade
dENVER {CEO/FOUNDER www.music2text.com twitter.com/music2text]
Its easy to fix the download problem, but the content companies don't want the solution.
The solution is a tariff on recordable blank media. This has been done successfully in Canada with the money raised going to domestic artists and songwriters.
The record business doesn't want it because they see it as being a tacit license for people to share things.
People will share things because the technology is there. And you can't stop it with punitive action of the kind proposed. You need to encourage it but with the caveat that there is a tariff on the blank memory. Easy for the government to fix too, and you know what - it means that memory sticks made in China will cost a couple of bucks/Euros/Pounds more... Of course this will be seen by some as anti-free trade. What would you rather have - Free Trade or Free Content?
Unfortunately the government had already agreed on this action before we got a look in, hence the emergency meeting.
One thing I have to point out, which I know many of you already realise, is that there are many very poor musicians who are struggling to survive and the FAC is about helping all musicians. If we didn't have artists like Billy and Ed fighting our corner then nobody would give this organisation a second look. It's right, they don't need the money, they're giving something back by doing it to help out new musicians on the scene. And I'd say that what they're doing is pretty rebellious as they're doing a good job of shaking up the music industry and generating lots of discussion right now.
The other main point is that we are strongly against punishing music fans. This emergency meeting was held as a means of damage limitation, to get the government to soften their bill while we look for other alternatives. Unfotunately they didn't give us time to offer any major alternatives as the bill was being presented the following day.
Most of us are not on major labels, even some of the major artists in the FAC and I can say with hand on heart that the most important relationship an artist can have is with their fan base. This is something that we are intent on developing so I ask that you please work with us rather than against. We can't give our work away for free but then we don't want to rip people off either and the solution to this problem is not going to be an easy one but it will help if we're working together on it.
Look, are the FAC going to stay behind the 3 strikes idea or issue a new statement?
I really want to get the new Get Cape stuff, amongst many other things, but no trade for the Air-heads, sorry.
Everything else FAC seems to be about, I can see and agree with, but not 3-strikes for many, many reasons.
(In the meantime, Boxer Rebellion, please don't add your names to this statement)